1919 General Strike
Memorial
Reflecting today’s Complacency, not yesterday’s Courage
When I do the annual General Strike tour I like to end at Victoria Park, to show how the legacy of the Strike resonates with politicians and the public today. And no there isn’t a huge monument there to the most significant political event in the city’s history. And that is the point of my approach to the Strike and the tour – there is nothing to mark the significance of the place, only a condo development and a boutique hotel.
Somewhat ironically but consistent with how City officials have treated the Strike for 97 years, the design for a General Strike Interpretive Centre has maintained a cancerous official neglect. The City has decided to play down the political meaning and social importance of the Strike with a bland and pedantic design that reflects more of today’s attitude than what actually happened in 1919.
First the location for the memorial is innocuous and irrelevant to the Strike. A tiny sliver of land next to a building at Lilly and Market is virtually invisible unless you are facing it and standing within meters.
Second, the City has allocated only $250,000 for the design and construction of the memorial.
Third. The design is based on text and rusting steel to reflect “multiple conflicting meanings.” As Monteyne Architecture Works describes their design, “It is a monument made primarily of weathering steel and multiple, conflicting meanings. The archetypal struggle for a fair deal that gripped the city almost 100 years ago mirrored the clash between classes and values that was occurring in other places, and the various oppositions that existed then continue to dominate our political and social discourse to this day.”
And fourth, there was no public input or consultation on the design. I had hoped the Selection Committee handpicked for the competition would have the creativity and courage to treat the task with more respect. But an open public process would have been commensurate with the nature of the Strike.
A historical period that was imbued with honour, sacrifice, solidarity and courage is written off as a mere competition and extension of class conflict in this winning design. An event that sent ripples of change to labour laws, social services, economic relations, urban design and the cultural character of Winnipeg is given a miniscule reference in an ambiguous sterile structure. Instead of having a monument that helps Winnipeggers and visitors understand and appreciate the contribution of the Strike, we get an abstract architecture that only vaguely reflects a calendar event with a scattering of benign references.
In 2019 the centenary of the Strike will be celebrated and that will be an opportunity for the citizens of Winnipeg to reflect their appreciation for what happened in and for Winnipeg. We will be able to expose the sacrifices and significance of the Strike and I’m fairly confident the people who supressed the Strikers will not be celebrating or holding events that commemorate ‘conflicting meanings.’
Information on the selection process and chosen design is at:
Dennis Lewycky
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